ink painting showing a crane jib with a forest and hills in the background

Ink #1 - Monument

£120
£120
Sold Out

Details

Quink ink and bleach on cotton Khadi paper, 2020

19 x 19 cm | 8.5 x 14.9 in (approx)

Unframed and signed on reverse.

 

From a collection of ink paintings created in response to a visit to Threlkeld Quarry in Cumbria.

Please note: this painting has rough, uneven edges that give it its own particular character.

Suggested framing: float mounted to show off the uneven edges, and a minimal contemporary black or oak frame.

SHIPPING, DELIVERY & RETURNS

SHIPPING:

Each painting is shipped out of my studio in Yorkshire within 2 weeks of the purchase date.
Artwork is signed, varnished and prepared for safe shipment. It will then be boxed or crated to ensure it arrives with you in perfect condition. All originals are dispatched by courier, tracked and insured, or if you are local to West Yorkshire, UK I can deliver by hand by arrangement.

DELIVERY:

Once your order has been processed, I will be in touch within 48hrs to arrange a convenient delivery date.

RETURNS:

Artworks can be returned (insured) providing they are undamaged and in all of the original packaging.

If you would like to return a purchase, or in the unfortunate event your purchase arrives damaged, please follow the steps on the How to Return Artworks page.

I do not accept returns on sale/discounted items, bespoke framed artwork, or any artwork that is made to commission or personalised in any way.

PACKAGING

Original artwork is signed (sometimes on the reverse), wrapped in oil-resistant glassine paper (or tissue if a non-oil based media), and layers of protective packaging, before being boxed. Corners are protected and the package is marked fragile so that it arrives in pristine condition ready for you to hang.

Each original includes a Certificate of Authenticity, signed by the artist for provenance.

About the Artist


Julia Brown is a UK-based painter creating quiet, immersive works rooted in light, texture and the natural world. Her paintings invite stillness, reflection, and sensory connection.

Her work explores the emotional experience of place—especially the fleeting beauty of Komorebi—the Japanese concept of sunlight filtering through trees.

She exhibits regularly across the UK, has been shortlisted for the New Light Art Prize and the Cooper Prize, and teaches at North Light Art School in West Yorkshire.